Guy Davis had been the ongoing artist for B.P.R.D.

Cometh the Hour #1–5 (July–November 2016).

The Broken Equation #1–2 (August–September 2014).

The Devil's Wings #1–2 (June–July 2014).

The Reign of the Black Flame #1–5 (January–May 2014).

Lake of Fire #1–5 (August–December 2013).

A Cold Day in Hell #1–2 (March–April 2013).

The Abyss of Time #1–2 (January–February 2013).

The Return of the Master #1–5 (August–December 2012).

The Devil's Engine #1–3 (May–July 2012).

The Pickens County Horror #1–2 (March–April 2012).

The Long Death #1–3 (February–April 2012).

3 Side Stories and the Switch to Ongoing Series.You can find out more about Campbell and his work at /home. He is known for his work on B.P.R.D., Sledgehammer 44, Punisher, Wolverine, Judge Dredd, Deadpool, and other comic book titles. Laurence Campbell is a comic book artist, penciller, and inker. Arcudi was educated at Columbia University. Arcudi has more than 300 titles to his name, some of the most prominent being Abe Sapien, B.P.R.D., The Creep, Dark Horse Presents, and Predator. John Arcudi is a comic book writer and creator from Buffalo, New York. Mike lives in Southern California with his wife, daughter, and cat. Mike's books have earned numerous awards and are published in a great many countries. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). There are thirteen Hellboy graphic novels (with more on the way), several spin-off titles ( B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman.

In 1994, he published the first Hellboy series through Dark Horse. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. Mike Mignola's fascination with ghosts and monsters began at an early age reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered.

Bprd hell on earth vol 5